Irene Kung’s series ‘Trees’ – a poetic invitation to explore the metaphysical side of nature in searching of the essence of being.
Irene Kung – Trees
Part of the project ‘The forest of the soul’, in this series the artist focused on trees enchanted by their symbolic meaning as a circle of life, time and re-birth, and undoubtedly fascinated by their shape and beauty. She leads us into a mysterious, magical and almost unreal forest inhabited by different trees as a silent guardian of all our feelings, emotions and dreams.
“In my way of working I am able to return the tree to what I have felt. This is the way I perceive my work: to strip away what is not essential in order to show a tree as it really is, as I feel it. This is intuition; it is the irrational. What is rational may deceive us. Feelings don’t.”
For the ‘Forest’ project Tuori photographed the same place, from the same spot, over and over again at different times and seasons, sometimes years apart. Multiple images, both black and white and colour, are then superimposed. Likewise, the moving images from the ‘Forest’ series are the result of layering: colour video with black and white photographs. This gives the films the clarity and richness of a photograph combined with the movement and time of a video.(Purdy Hicks Gallery review)
Santeri Tuori – Forest
Moved by the sensory force and elegance of ‘Forest’ are we actually in a forest? The forest is meticulously brought to the viewer and the forest is made to disappear; the forest is powerfully present and radically absent. Surplus forest, reduced forest. We are and we are not in the forest (Jan-Erik Lundström)