The artistic duo Angel Albarrán and Anna Cabrera (both born 1969, in Spain) have spent a lot of time in Japan, and their travels to the country have strongly influenced the aesthetic content of their work and the printing techniques they use.
“The series ‘The Mouth of Krishna’ is the story of the infant Krishna, wrongly accused of eating a bit of dirt. His mother, Yashoda, coming up to him with a wagging finger scolds him: “You shouldn’t eat dirt, you naughty boy.” “But I haven’t,” says the unchallenged lord of all and everything, in spot disguised as a frightened human child. “Tut! Tut! Open your mouth,” orders Yashoda. Krishna does as he is told. He opens his mouth and Yashoda gasps. She sees in Krisna’s mouth the whole complete entire timeless universe, all the stars and planets of space and the distance between them, all the lands and seas of the earth and the life in them; she sees all the days of yesterday and all the days of tomorrow; she sees all ideas and all emotions, all pity and all hope, and the three strands of matter; not a pebble, candle, creature, village or galaxy is missing, including herself and every bit of dirt in its truthful place. “My Lord, you can close your mouth,” she says reverently.”
“I studied Chinese landscape painting and became obsessed with the idea of trying to understand their way of looking at nature. As I found most of the holy mountains they had been depicting for thousands of years were almost destroyed by pollution or otherwise turned into tourist spots, it became for me a search for a landscape that doesn’t really exist, an idealized picture”
Pierre Gonnord’s “Portraits” – diving as Velázquez into the soul of social groups with strong cultural identity; the new spectacular book, published by ‘The Factory” with more than 100 portraits made between 1999 and 2012.
Pierre Gonnord is a French self-taught photographer who since 1988 resides in Madrid.
“In a horological movement, I find poetry meeting technology. The poetry of time elapsing, the change of seasons, astronomical movements, and technology which enables up to eight hundred mechanical pieces inside such a small volume, all working perfectly together, to reach the most accurate time calculation. Each one of these movements takes on a life of its own.”
An ancient warrior is wounded after a battle and he is now in conflict whether to die or continue fighting. Three ghosts appear as symbols of his feelings and thoughts that clash within his heart and mind as he has to decide…
The story unfolds in ‘neo-realistic’ narrative – the warrior in his traditional costume and the ghost in a modern dress. Neo-realism is described by the artist as “a history theatre where current and contemporary societal conditions come to play”. So, the question is – how to continue our lives? What do we really want?
Jos Jansen‘s series “Batterfields” – Do we still control technology or does it control us? The choreography created by our fingers on mobile devices becomes a visual metaphor of our continuous struggle with technology.
The series is published in a photo-book by The Eriskay Connection