Abelardo Morell’s project ‘After Monet’ – a contemporary search of Monet’s artistic spirit within the landscape of the places where he lived and painted in France.
Abelardo Morell – After Monet
“The photographs were created during the summers of 2015 and 2016 in Monet’s Gardens in Giverny, Rouen and other regions in the Normandy coast. For this work I used my Tent/Camera. This device that I invented utilizes a periscope-like optical mechanism that brings nearby views directly onto whatever ground is beneath the tent. These photographs are the product of the visual sandwich of the projection and the ground. I love seeing how the changing ground surface alters the views into something half painterly, half photographic.”
Renowned photographer Abelardo Morell was born in 1948 in Cuba but since 1962 he resides in the USA. His first experiments with the camera obscura technique started in 1988 as a teacher of photography in art college when he covered the windows in the classroom with black opaque plastic sheeting in order to darken the place and no light be visible. Then he cut a small hole in them and his students were mesmerized with the result. On the opposite wall was projected the upside-down image of the scene from the outside. Simple but so powerful. And as he says “It felt like the moment photography was invented.”