Giles Revell’s ’Medicinal Plants’ – a series of botanical images created with “CT Scanning as a unique way to emphasise their clinical usage rather than their aesthetic beauty. The plants were digitally sectioned across defined planes revealing their anatomical form.”
The project was made in collaboration with the Natural History Museum and Kew gardens commissioned by the Times Newspaper.
Luigi Ghirri (1943 – 1992) was an Italian photographer who, beginning in the 1970s, produced pioneering color photographs of landscape and architecture within the milieu of conceptual art. Ghirri’s photographs are presented with a deadpan, often ironic wit and always consider the tenuous balance between people and their surroundings. He worked in series, photographing parks, beaches, and urban scenes of his native Italy, producing modestly sized, meticulously made prints. His use of color has been lauded for its capacity to express “both prescience and nostalgia” in its distinct encapsulation of the first wave of color photography (artist review by Matthew Marks Gallery – the official representative of the Estate of Luigi Ghirri)
“The daily encounter with reality, the fictions, the surrogates, the ambiguous, poetic or alienating aspects, all seem to preclude any way out of the labyrinth, the walls of which are ever more illusory… to the point at which we might merge with them… The meaning that I am trying to render through my work is a verification of how it is still possible to desire and face a path of knowledge, to be able finally to distinguish the precise identity of man, things, life, from the image of man, things, and life.’”
‘Kodachrome’ is now available either digitally by MAPP or physically by MACK.
Tom Jacobi‘s project ‘Grey Matter(s)‘ – “Grey is mystical. We humans love the sun and are always thought to have yearned for light. Yet prayers are mostly said in the dark. We may well strive for light, but are we possibly, in fact, children of the twilight, a colorless world in which everything is gray?”
Tom Jacobi – Grey Matter(s)
The project is available as photo book with more than seventy striking photographs of some of the most spectacular wonders of the natural world, which took him over two years and travelling to six continents.
“This work stems from my fascination with the nature of our relationships to the landscape, the sublime, time, and impermanence. Entitled Littoral Drift, a geologic term describing the action of wind-driven waves transporting sand and gravel, the series consists of camera-less cyanotypes made in collaboration with the landscape and the ocean, at the edges of both. The elements that I employ in the process—waves, rain, wind, and sediment—leave physical inscriptions through direct contact with photographic materials.”
“Since I remember I always imagined extraordinary stories and adventures. Today things didn’t changed. I kept my kid mind and released it on my work…I think every body loves humour, in many different ways. Which one is yours? To me, is when there is very serious situation in a complete crazy world. When a elephant do very serious tightrope walk in a world where it can happen… so, please relax, take off your shoes, forgot your daily problem and escape in an another world.”
Tommy Ingberg‘s stories about human nature in surrealistic photo montages.
“This is a series of black and white, surrealistic photo montages. The pictures start off with a feeling, a story, a riddle for the viewer to think about. I strive for simple, scaled back compositions with few elements, where every part adds to the story, but where there are still gaps for the viewer to fill.”
Tommy Ingberg – Reality Rearranged
“For me, surrealism is about trying to explain something abstract like a feeling or a thought, expressing the subconscious with a picture. The Reality Rearranged series is my first try at describing reality trough surrealism. During the five years I have worked on the series I have used my own inner life, thoughts and feelings as seeds to my pictures. In that sense the work is very personal, almost like a visual diary.
Despite this subjectiveness in the process I hope that the work can engage the viewer in her or his own terms. I want the viewers to produce their own questions and answers when looking at the pictures, my own interpretations are really irrelevant in this context.”
“The Other, that I have tried to represent with nobility and a certain closeness, an ‘Other’ that lives more and more in “urban jungles”, an ‘Other’ that I have watched, but who in return watches me as well. who lives in “urban jungles”.
Eric Pillot – In Situ
“Animals fascinate me as singular and beautiful beings, which we have to take care of.For several years, I have been photographing them and through my photography, I try to portray them in their beauty, and, in a way, to get closer to them”