short visual stories

Paulette Tavormina – ‘Natura Morta’

Paulette Tavormina’s series ‘Natura Morta’ – a beautiful response in photographic form to the Old Dutch, Spanish, and Italian Masters of the 17th century – Giovanna Garzoni, Francesco de Zurbarán and Adriaen Coorte – as intensely personal interpretations of their timeless, universal stories.

“I have always been attracted to the magic of objects that evoke memories. Being a sentimental person, capturing moments in photography brings me back to past feelings so I can savor them again.”

Paulette Tavormina - Natura Morta

Paulette Tavormina – Natura Morta

 

“My photographs tell stories. The “Figs” express the Sicilian family history. I can imagine they are from my brother’s tree that was a graft from my father’s tree and in turn a graft of my grandfather’s tree. Snails on the branches are from my cousin’s villa in Palermo, next to the abandoned Giuseppe Lampedusa’s villa (author of Il Gattopardo, The Leopard). Lampedusa died in 1957. Snails at his villa look the same as snails at my cousin’s villa.”

Available as a photo book.

 

Sebastiaan Bremer

Sebastiaan Bremer‘s hand painted dot patterns create an explosion of colours and breathe a new life into these perfectly composed, meticulously painted and coloured flowers. Using already existing photographs and prints from a 1948 book called “Bloemen” (Flowers), he calls for a new perception of the process of ‘re-thinking’ a visual document .

photography, Sebastiaan Bremer, flowers, colours, dots, mixed media, fine art, inspiration

Sebastiaan Bremer

 

Philippe Halsman – ‘Jumps’

Philippe Halsman‘s series ‘Jumps‘ – “Starting in the early 1950s I asked every famous or important person I photographed to jump for me. I was motivated by a genuine curiosity. After all, life has taught us to control and disguise our facial expressions, but it has not taught us to control our jumps. I wanted to see famous people reveal in a jump their ambition or their lack of it, their self-importance or their insecurity, and many other traits.”

Philippe Halsman - Jumps

Philippe Halsman – Jumps

 

Josef Hoflehner – Jet Airliner

Josef Hoflehner’s Jet Airliner series comprises of high key photographs of low-flying planes over the heads of sunbathers at Maho Beach on the Dutch/French island of St. Maarten / St. Martin in the Caribbean Sea.  The beach is directly adjacent to the relatively short runway of the airport, therefore passenger jets roar as low as four meters above the holiday-makers.

The photographs were taken over a period  between early 2009 and late 2011 and 86 of them are published in the book ” Jet Airliner: The Complete Works

Josef Hoflehner - Jet Airliner

Josef Hoflehner – Jet Airliner

 

Dinah Fried – ‘Fictitious Dishes’

Dinah Fried  -  Fictitious Dishes

Dinah Fried – Fictitious Dishes

 

Fictitious Dishes is a link between the culinary moments and the contemporary and classic literature where they are mentioned. The author Dinah Fried imagined these moments and conveyed her vision through photographic interpretations. She re-created the meals as described in the books and styled them in a way to feel the ‘spirit of the story’. Moreover, choosing the perspective from above, she puts us, the viewers, in the position of the characters from the famous novels as they were eating these meals, making us present to their experience. Each image is accompanied also with the text from the book that inspired its creation. There are also interesting food facts and entertaining anecdotes about the authors, their work, and their culinary predilections.

 

Abelardo Morell – ‘Camera Obscura’

Renowned photographer Abelardo Morell was born in 1948 in Cuba but since 1962 he resides in the USA. His first experiments with the camera obscura technique started in 1988 as a teacher of photography in art college when he covered the windows in the classroom with black opaque plastic sheeting in order to darken the place and no light be visible. Then he cut a small hole in them and his students were mesmerized with the result. On the opposite wall was projected the upside-down image of the scene from the outside. Simple but so powerful. And as he says “It felt like the moment photography was invented.”

Abelardo Morell -Camera Obscura

Abelardo Morell -Camera Obscura

 

An article in National Geographic explains what the Camera Obscure is and how Abelardo Morell applies its principles to his works and if you want to take a closer look of the process see the episode 1 of the BBC series The Genius of Photography  (from the 3th to the 6th minute )

 

Elliott Erwitt – the “amateur” photographer of the absurd moments

Elliot Erwitt

Elliot Erwitt

 

Elliott Erwitt‘s eyes catch immediately the quirky sense of humor in ironic situations that occurred in our everyday life. The ludicrous moments often we are not being able even to recognize, he shows them to us and makes us laugh.

Elliott Erwitt was born in 1928 in Paris but since the mid 40s he resides in New York. In 1953 he joined Magnum Photos following an invitation from Robert Capa.

Why Mr Erwitt’s works are so wildly appreciated? Probably because as he describes himself he is still and will remain always “an amateur photographer”, clarifying though that the word “amateur” means “to love”.

 

Elliot Erwitt

Elliot Erwitt

 

David Maisel – ‘The Lake Project’

David Maisel‘s aerial series ‘The Lake Project‘ – the surreal beauty of a ‘lake’s autopsy’ as a result of human intervention.

David Maisel - The Lake Project

David Maisel – The Lake Project

 

Owens Lake in California was once a 200 square-mile lake in a fertile valley. Drained for the water needs of Southern California in 1913, when the Owens River was diverted into the Owens Valley Aqueduct, now it is transformed into an arid landscape.

“For decades, fierce winds have dislodged microscopic particles from the lakebed, creating carcinogenic dust storms. Indeed, the site has become the highest source of particulate matter pollution in the United States, emitting 300,000 tons annually of cadmium, chromium, arsenic and other materials. The concentration of minerals in the remaining water yields blooms of microscopic bacteria, turning the liquid a deep, bloody red.”

From an eye bird view, however, it looks quite fascinating. David Maisel captured abstract scenes of color and texture bearing a resemblance “to river of blood, a microchip, a bisected vein, or a galaxy’s map – a strange beauty born of environmental degradation”, as he described it.

The project was mainly made 2001-2002 and is available as a photo book.