Cássio Campos Vasconcellos’s ‘A Picturesque Voyage Through Brazil’ – a series “inspired by paintings of European artists (Johann Moritz Rugendas, Jean-Baptiste Debret, Hercules Florence, Conde de Clarac, Aimé-Adrien Taunay, Carl von Martius and others) who came to Brazil in the early 19th century to paint and show the beauty and exuberance of Brazilian forests.”
Cássio Campos Vasconcellos – A Picturesque Voyage Through Brazil
Chrystel Lebas’s ‘Hidden Nature’ – made in twilight lyrical photographs of ‘nests’ of feathers left behind a bird killed by a wild animal reveal the drama of the invisible mysterious elements of the natural world.
Chrystel Lebas – Hidden Nature
“Walking alone in the forest recording close up scenes or tableaux, I attempted to reveal the hidden side of nature, the nature we have glorified forgetting its real harshness and purpose, questioning man’s relationship with the natural environment and man’s response to a lost wilderness. The Photographs are taken with a medium format camera, instead of showing wide expense of space, here we are looking close-up at the subject, scrutinizing it.”
Chan Dick’s series ‘Chai Wan Fire Station‘ – the routine of this small unusual space and artist’s subtle tribute to firefighters and appreciation to many possibilities for stories you can find with a bit of luck.
Chan Dick – Chai Wan Fire Station
“One day I was busy in my workshop when I heard a noise coming from the bathroom. Curious, I opened the window, looked down and saw firefighters playing volleyball. What I saw was more eventful than I thought. The scene was surreally picturesque for a coincidental discovery. For the following 15 months, I dedicated myself to observation, patiently waiting for the next unexpected scene, all happening within this little square area that I framed from above.”
Denis Brihat – capturing the simplicity of the eternity in vivid and luminous photography.
Denis Brihat – Nature
“While some photographers are related to the race of hunters, Denis Brihat belongs to the peaceful tribe of gatherers. A practical philosopher, at an early age he decided to cultivate his garden. A poet of the image, he celebrated the beauty of the world by creating a number of blazons in honor of the delectable manna it showers on us: flowers and fruit, vegetables, trees and a few less domesticated specimens of the plant kingdom, which seemed to him to epitomize all the riches whereby Nature liberally contributes to human happiness. This is because he looked upon the world from his garden or, when roaming the world, was guided by the reverie of a serene gardener.” Georges Monti
Denis Brihat – Nature
“When Brihat enlarges a slice of lemon to the size of a cathedral rose window, when he puts a single acacia seed or spike of lavender on a neutral background – a background of nothingness – he raises these tiny harbingers to the power of the cosmos, and infinity is certainly what he intends to possess, infinity withdrawn from the wear of time, an eternal infinity.” Michel Tournier
Lauren Semivan’s series ‘Observatory’ – “ghosts of previous drawings create a sense of time suspended, evoking gesture, atmosphere and memory… an access to the extraordinary, to keep a record of dreams, and to employ the unknown.”
Lauren Semivan – Observatory
“In scientific disciplines, a line is classified as an event. Something as primitive as a scrawl on a surface reveals an aggregate of events, intersecting and changing course. Drawings made on the seamless backdrop describe an emotional space.
Science is inherently experiential, as is art making. Knowing and feeling are not separate, and the whole of the environment can be used as a pedagogic instrument. My ongoing body of work elegantly draws upon a tension that exists between irrational and physical worlds.”
Laetitia Lesaffre’s series ‘Breathe’ – “But, said Alice, if the world has absolutely no sense, who’s stopping us from inventing one?” Lewis Carroll.
Laetitia Lesaffre’s luminous floating world arise from darkness, a blurred world between dream and reality.
“I am a lacquer painter and photographer, and all my work explore reflection: I take the picture of the subject in reflection in my lacquered canvas. I aim to dissolve the frontier between painting and photography.”
Marcia Lippmann’s ‘Travels East’ – inviting to a meditative journey of hidden details in search of beauty, serenity, absence, rejection, secret, holiness, ritual, ceremony, memory, spirituality, imagination, decay and chaos.
“It is the image in the mind that links us to our lost treasures; but it is loss that shapes the image, gathers the flowers, weaves the garland. Lost time is never found again” Collette
“This work is like encountering a strange film which, after a while seems not to be a film at all but an experience you are having, a kind of a journey that you don’t remember setting out on… In the end, as with all good journeys, you are someplace else and you are a little different, though in ways you can’t describe.”
Louis Blanc’s black and white series ’cORpuS’ – ‘sculpturing’ a fascinating world of body language and its emotions from different positions and angles. Everything is a question of point of view.
“To realize an image, I leave a preliminary idea and then the image builds itself little by little, in the course of the numerous shots, until arrive at an image which speaks, which seems inhabited (it does not work each time!). And the final result is often very distant from the initial idea, but it is very well like that, a mixture of intention and unforeseen! I always use the natural light coming from a window more sometimes a low power deported flash.”
Lalla Essaydi‘s ‘Bullet Revisted’ – through exploring the complexity of Arab female identity, the wish of the photographer is that her works be as vividly present and yet as elusive as “woman” herself — not simply because she is veiled or turns away – but because she is still in progress.
Lalla Essaydi – Buller Revisted
Lalla A. Essaydi grew up in Morocco and now lives in USA
Todd Hido’s landscapes express the natural beauty of the open road on a rainy day through the blurry view of the windshield as an additional lens. Defined by an open horizon, his photographs create a perception of vastness, infinity and freedom.
“I had been photographing landscapes for a couple of years, but had no intention of making anything of them… I had no other purpose of making them other than responding to the beauty that I saw.”