Jos Jansen‘s series “Batterfields” – Do we still control technology or does it control us? The choreography created by our fingers on mobile devices becomes a visual metaphor of our continuous struggle with technology.
Heterotopia is described by French philosopher Michel Foucault as a space neither utopia nor dystopia but rather, a space of duality and contradiction.
Mastering light and colour by placing mirrors and sheets of glass between the leaves, branches, flowers and bushes in front of her camera, photographer Karine Laval (French, who lives in New York) creates her layered manipulated reality and turns Long Island gardens into a vivid and exotic netherland.
‘In Woodlands Mat Hennek presents genuine portraits of trees, the results of numerous hikes through various forests in Europe and the USA… He removes spatial landmarks, alternately erasing the ground and horizon to unhinge any sense of direction. Light and shadow, pattern and structure build up to an impressionistic hymn—infinite, without a center, without beginning or end.’
Mervyn O’Gorman was not a photographer. He was an electrical engineer and worked for cabling companies but devoted his free time to his hobby – the photography. And he made great images – red colour, narrow depth of field, long exposure, subdued natural tones of the background…
These images from a series ‘Christina’ were made in 1913 and for about a century the identity of the girl remained unknown. It was supposed she was his daughter but turned out that she was a daughter of a close friend. Her name was really Christina Elizabeth Frances Bevan, born in Harrow, London, on 8 March, 1897 and died in 1981.
Dutch photographer was inspired by a studio portrait of a dog from the 1920s, she found in 2010, and realized that “Back then, people only made one photo each year in their best dress… for some people, dogs are one of the family.”
Polish ex-architect, now photographer Kacper Kowalski, using the graphic unusual patterns and geometries that an aerial perspective can offer, created abstract portraits of the environment in searching of his answer to the question what it actually means to us humans.
Arne Svenson‘s series ‘The Neighbours‘ – puzzling, endearing, theatrical. With his aesthetic sense, the photographer turned his bird watching telephoto to his Manhattan neighbours and viewed them from the perspective of social anthropology, he created an eclectic project.
Arne Svenson – The Neighbours
Some of the neighbors were not pleased with this activity so they sued him but the court upheld this sort of thing as covered under First Amendment guaranteeing free speech and it does not need consent to be made or sold.